Selected Poetry

“If my family had never emigrated from Greece,” Whale Road Review (forthcoming)

“The Longest Monday,” The Louisville Review (forthcoming)

“Summer Solstice with Cell Service Outage,” Lucky Jefferson (forthcoming)

“ode to an adolescent niece,” Sontag Mag (2025)

“they made us” and “I keep falling asleep in the motherland,” Santa Fe Literary Review (2025)

“Worn,” Thimble (2024)

“Prove Me Wrong” and “Nostalgia: Four Sonnet Permutations,” Saranac Review (2024)

“My Wife Asks Me Why I Keep Touching her Leg in Bed,” Rogue Agent (2024)

“multiply,” in Transformation: A Women Who Submit Anthology, edited by Tisha Marie Reichle-Aguilera (2024)

“Shared Territory,” Nimrod (2024)

“Don’t Be a Stranger,” LEON Literary Review (2024)

“banger,” “intransitive,” and “slip,” Pidgeonholes (2023)

“Missing Gridlock,” Painted Bride Quarterly (2023)

“Law of the Letter,” “My Wife Falls Asleep to Friends and it Streams All Night,” and “Quabbin Reservoir,” Air/Light (2022)

“Pass Me the Ladder” and “Path Between Amherst and Northampton,” Call Me Brackets (2021)

“Black and White,” RHINO (2021)

“The Branches Regard the Tree” and “Memorial Hill,” Sinister Wisdom (2020)

“Mabon,” Faultline Journal of Arts and Letters (2019)

Prose

“There’s No Cheating in Poetry” (craft essay), Cleaver (2025)

“8 Debut Poetry Collections by Poets over 40,” Electric Literature (2025)

“Shaping a Collection into a Book” (craft essay), The Writer’s Notebook (2025)

Review of CD Eskilson’s Scream Queen in Colorado Review (2025)

“Late Bloomer” (creative nonfiction), Phoebe (2021)

“The Colossus” (reference entry), Masterplots, 4th edition, edited by L. W. Mazzeno (2010)

Awards and Nominations

Pushcart nominations: “In the Rothko Chapel,” The Indianapolis Review (2023), “Cento: Six Women in Five Parts,” Sundog Lit (2020)

Best of the Net nomination: “Nine of Pentacles,” Witness (2022)

“The Grove,” Inverted Syntax (2020), chosen by Dorothea Lasky as a finalist for the Sublingua Prize